Francisco de Goya was a Spanish painter and printmaker who lived from 1746 to 1828. He is considered one of the most important artists of the late 18th and early 19th centuries, and his work had a profound influence on the development of modern art. Goya began his artistic career as a painter of portraits and religious works, but he soon became known for his skillful use of light and shadow, as well as his bold, unconventional compositions.

Goya’s work is marked by its emotional intensity and its critical engagement with the social and political issues of his time. He was deeply influenced by the Enlightenment, and his works often reflect a skepticism towards religious and political authority. Some of his most famous works include “The Third of May 1808,” which depicts the execution of Spanish citizens by French soldiers, and “The Black Paintings,” a series of murals that he painted on the walls of his home in Madrid towards the end of his life.

Goya’s legacy has endured through the centuries, and his works continue to inspire and challenge viewers with their raw emotion and incisive social commentary. He is now considered one of the most important painters in the history of Western art, and his influence can be seen in the work of many later artists, including the Impressionists and Expressionists.

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  • Saturn Devouring His Son (from The Black Paintings)

    Goya, Francisco de

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  • ‘A Way of Flying’ from the ‘Disparates’ (Follies / Irrationalities)

    Goya, Francisco de

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  • Plate 20 from the ‘Tauromaquia’:The agility and audacity of Juanito Apiñani in [the ring] at Madrid.

    Goya, Francisco de

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  • The Dog - Goya

    The Dog

    Goya, Francisco de

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  • Saint Ambrose C 1796–1799. Spanish. Oil On Canvas.

    Goya, Francisco de

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  • Portrait Of Don Juan Antonio Cuervo 1819. Oil On Canvas

    Goya, Francisco de

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  • Asmodea

    Goya, Francisco de

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  • The Third of May (El Tres de Mayo)

    Goya, Francisco de

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  • Title page to ‘The Disasters of War’ (Los Desastres de la Guerra) and two pages of letterpress description of the series

    Goya, Francisco de

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  • Reproduction in reverse of Goya’s Sueño drawing that was preparatory for Plate 14 from Los Caprichos, ‘What a sacrifice’, a young woman surrounded by a group of men, which includes her fiancé, a rich hunchback

    Goya, Francisco de

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  • Landscape

    Goya, Francisco de

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  • An old woman spinning, spindle in her right hand, distaff in her left

    Goya, Francisco de

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  • Self-Portrait in a Cocked Hat

    Goya, Francisco de

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  • Unholy Union

    Goya, Francisco de

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  • Condesa de Altamira and Her Daughter, María Agustina

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  • Bullfight in a Divided Ring

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  • Majas on a Balcony

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  • Narcisa Barañana de Goicoechea

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  • José Costa y Bonells (died l870), Called Pepito

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  • Manuel Osorio Manrique de Zuñiga (1784–1792)

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  • Tiburcio Pérez y Cuervo (1785/86–1841), the Architect

    Goya, Francisco de

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  • Josefa de Castilla Portugal y van Asbrock de Garcini (1775–about 1850)

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  • Ignacio Garcini y Queralt (1752–1825), Brigadier of Engineers

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  • Sebastián Martínez y Pérez (1747–1800)

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  • Plate 70 from ‘Los Caprichos’: Devout Profession (Devota profesion.)

    Goya, Francisco de

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  • Baltasar Carlos on horseback, after Velázquez

    Goya, Francisco de

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  • Plate 28 of the “Tauromaquia”: The forceful Rendon stabs a bull with the pique, from which pass he died in the ring at Madrid

    Goya, Francisco de

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  • Plate 29 of the ‘Tauromaquia’: Pepe Illo making the pass of the ‘recorte’.

    Goya, Francisco de

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  • Plate 30 of the ‘Tauromaquia’: Pedro Romero killing the halted bull.

    Goya, Francisco de

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  • Plate 31 of the ‘Tauromaquia’: Banderillas with firecrackers.

    Goya, Francisco de

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  • Plate 32 from the ‘Tauromaquia’:Two teams of picadors thrown one after the other by a single bull.

    Goya, Francisco de

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  • Plate 13 of the ‘Tauromaquia’: A Spanish mounted knight in the ring breaking short spears without the help of assistants,

    Goya, Francisco de

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  • Plate 14 from the ‘Tauromaquia’: The very skillful student of Falces, wrapped in his cape, tricks the bull with the play of his body.

    Goya, Francisco de

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  • Plate 16 of the ‘Tauromaquia’: The same man throws a bull in the ring at Madrid.

    Goya, Francisco de

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  • Plate 17 of the ‘Tauromaquia’: The Moors use donkeys as a barrier to defend themselves against the bull whose horns have been tipped with balls.

    Goya, Francisco de

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  • Plate 18 of the ‘Tauromaquia’: The daring of Martincho in the ring at Zaragoza

    Goya, Francisco de

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  • Plate 19 of the ‘Tauromaquia’: Another madness of his in the same ring

    Goya, Francisco de

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  • Plate 22 from the ‘Tauromaquia’: Manly courage of the celebrated Pajuelera in [the ring] at Zaragoza.

    Goya, Francisco de

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  • Plate 24 of the ‘Tauromaquia’: The same Ceballos mounted on another bull breaks short spears in the ring at Madrid.

    Goya, Francisco de

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  • Plate 9 from the ‘Tauromaquia’: A Spanish knight kills the bull after having lost his horse.

    Goya, Francisco de

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  • Plate 8 from the ‘Tauromaquia’: A Moor caught by the bull in the ring

    Goya, Francisco de

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  • Plate 7 from the ‘Tauromaquia’: Origin of the harpoon or banderillas.

    Goya, Francisco de

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  • Plate 4 from the ‘Tauromaquia’: They play another with the cape in an enclosure

    Goya, Francisco de

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  • Plate 2 from the ‘Tauromaquia’: Another way of hunting on foot

    Goya, Francisco de

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  • Plate 1 from ‘The Tauromaquia’: The way in which the ancient Spaniards hunted bulls on horseback in the open country

    Goya, Francisco de

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  • Plate 3 from the ‘Tauromaquia’:The Moors settled in Spain, giving up the superstitions of the Koran, adopted this art of hunting, and spear a bull in the open

    Goya, Francisco de

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  • ‘Funereal Folly’ from the ‘Disparates’ (Follies / Irrationalities)

    Goya, Francisco de

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  • ‘General Folly’ from the ‘Disparates’ (Follies / Irrationalities)

    Goya, Francisco de

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  • ‘Clear Folly’ from the ‘Disparates’ (Follies / Irrationalities)

    Goya, Francisco de

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  • ‘Poor Folly’ from the ‘Disparates’ (Follies / Irrationalities)

    Goya, Francisco de

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Showing 1–50 of 398 results